WhiteFluff021

朱煜弘 (MOON)视觉艺术家，来⾃中国上海

使用流动的液体来进行创作。结合超高清数码摄影机，记录物理规律发展的流动过程，以视觉艺术的形式来呈现

作品的核心是通过自创的装置（生活用品，手工制作的工作台，高清摄影机系统）来记录，不同浓度和密度的液体相互融合与排斥的变化过程

Yuhong Zhu,(MOON) a visual artist from Shanghai, China.

Utilize flowing liquids in my creative process, combined with ultra-high-definition digital cameras to document the evolving dynamics of fluid motion, presented in the form of visual art.

At the core of my work is the utilization of custom-made apparatus (household items, handcrafted workbenches, high-definition camera systems) to document the changing process of liquids with different concentrations and densities merging and repelling each other.

White fluff 是我视觉项目的名称，受化学家Albert Hofmann的启发，意在随着真实存在，但却不能被眼睛看⻅的⽓流，随⻛飘散的⽩⾊绒⽑。虽是柔弱的绒⽑却能使得浑厚的⾃然⼒量得以能够被看见。是链接⼈与⾃然的神奇纽带

透明的水，在流淌的过程中也是千变万化的。我将这个无形的变化变得有形

在研究这个项目的过程中，作为创作者，我发现我可以很简单地进入到一种禅意当中，在一个微观的世界里畅游，通过我的技法来使得液体开始运动，但它们的运动会去到哪个方向，什么形态，却都是随机的，自然发展的。

一切的开始只需要在心里种下一颗小小的种子，创造液体艺术的一帧一帧的片段是就是一段成长的旅程，我让种⼦膨胀发芽。当越来越多的⽚段连接在⼀起达到某个阈值时，这个过程就会呈现出它⾃⼰的动态，观众会被引导去内观和深层思考，在流动中将思绪延伸，探索未知

"White Fluff" is the name of my visual project, inspired by chemist Albert Hofmann, symbolizing the invisible air currents that cannot be seen by the eyes, floating white fluff. Despite being delicate, this fluff allows the robust natural forces to be visible, serving as a magical link between humans and nature.

Transparent water undergoes countless transformations as it flows. I make this invisible change tangible. In the process of studying this project, I discovered that as a creator, I can easily immerse myself in a state of Zen, wandering in a microscopic world, allowing liquids to start moving through my techniques. Their direction and form are random, naturally evolving. All it takes to begin is to plant a tiny seed in the mind. Creating liquid art frame by frame is a journey of growth. I let the seed expand and germinate. As more and more fragments connect to reach a certain threshold, this process presents its dynamic. Audiences are guided to introspect and deeply ponder, extending their thoughts in the flow, exploring the unknown.

一切始于一次偶然的观察。我发现高浓度的丙烯颜料在不同颜色之间会形成锐利的边界，而低浓度的丙烯颜料则没有明显边界，甚至可以轻易地相互影响直至产生新的颜色。

我利用这一特性，通过实验调配出了可控的、不同质地，浓度和颜色的液体，并自己设计制作了一套活动装置。可以使液体可以在倾斜的平面上自然流动。在这个过程中流动的液体会产生富有禅意的美轮美奂的图形。然后再通过微距镜头和高清摄像机把这个过程记录下来，将微观的世界放大，并呈现在屏幕或幕布上。

It all began with a chance observation. I noticed that high-concentration acrylic pigments formed sharp boundaries between different colors, while low-concentration acrylic pigments lacked distinct boundaries, easily influencing each other until new colors emerged. Leveraging this characteristic, I experimented to concoct controllable liquids of different textures, concentrations, and colors. I designed and constructed a set of movable apparatus to allow liquids to flow naturally on inclined surfaces. In this process, flowing liquids generate aesthetically pleasing and serene patterns. Subsequently, I capture this process using macro lenses and high-definition cameras, magnifying the microscopic world and presenting it on screens or canvas.

在掌握多种不同液体相遇所产生的视觉效果之后，我开始逐渐思考更多的可能性。加入从自然中获得的泥土，花朵，昆虫。这些具象事物开始引入直到它们逐渐消失，仅留下抽象的画面。

我开始深入思考作品和自然的关系，在自然中，不同的地质面貌会带来不同的视觉震撼。像树枝一样伸展的长江的分支，从高空俯瞰矿物质盐湖，甚至宇宙中的星云和星空，虽然它们都是非常巨大的自然景观，但他们形成的原理却和我的微观作品是相同的。这并不是一种巧合，而是这个世界背面的秘密，一个无比绚烂的秘密。

我希望可以更多接近这些自然规律的本质，然后展示给更多更多的人们。也许在某一时刻，可以一起推开一扇通往真实和虚幻边界的大门

After mastering the visual effects produced by various liquid encounters, I gradually pondered more possibilities. I incorporated elements obtained from nature, such as soil, flowers, and insects. These concrete elements are gradually introduced until they fade away, leaving behind abstract images. I delved into contemplating the relationship between artwork and nature. In nature, different geological features bring different visual impacts. From sprawling branches resembling the Yangtze River to aerial views of mineral salt lakes, even nebulae and starry skies in the universe, despite being vast natural landscapes, their formation principles align with my microscopic artwork. This is not a coincidence but a splendid secret behind the world. I hope to approach the essence of these natural laws and showcase them to more people. Perhaps, at some point, we can together push open a door leading to the boundary between reality and illusion.

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